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Two-Faced Woman is a 1941 American romantic comedy film directed by George Cukor and starring Greta Garbo in her final film role, Melvyn Douglas, Constance Bennett, and Roland Young. The movie was distributed by Metro-Goldwyn-Mayer.
Garbo plays a wife who pretends to be her own fictitious twin sister in order to recapture the affections of her estranged husband (Douglas), who has left her for a former girlfriend (Bennett). The film is generally regarded as the box-office flop that ended Garbo's career in an unsuccessful attempt to modernize or "Americanize" her image in order to increase her shrinking fan base in the United States. By mutual agreement, Garbo's contract with MGM was terminated shortly after Two-Faced Woman was released, and it became her last film.
Karin travels to New York to thwart the romance and win her husband back by masquerading as her spurious twin sister Katherine Borg, a wild, amoral "modern" woman. Larry is fascinated by Karin, in the guise of Katherine, but he quickly discovers the truth. He continues to play along, nearly seducing his wife's purported twin sister, but stopping short each time. Karin and Larry eventually reunite during a chase on the ski slopes, and all is forgiven.
MGM used the film to promote a new image of Garbo as modern and glamorous, hoping to increase her appeal to filmgoers in the United States. Much of the income from Garbo's earlier pictures had come from their popularity in the European market, which was now unavailable due to World War II. Garbo hated the script for Two-Faced Woman and did not want to make the film; she was disappointed that Madame Curie had been shelved (MGM made the film with Greer Garson in 1943) and was very uncomfortable with the attempt to portray her as a modern "American" woman. Garbo strongly objected to a scene where she is wearing a bathing suit and swimming; she pleaded with director Cukor to have the scene cut, but Cukor, who shared Garbo's reservations about the film, told her it had to remain in the picture. The script also called for Garbo to dance in an elaborate ballroom rhumba scene. Garbo, who was not a natural dancer and disliked dancing in general, was forced to take lessons and once hid from her dance instructor in a tree at her home. She later said that she was embarrassed by the film and that it "was not good and it could never be made good." Garbo recalled that Melvyn Douglas, her co-star, disliked the film as well and his distaste for it was obvious during the production.
Two-Faced Woman was produced by Gottfried Reinhardt, with music by Bronislau Kaper, cinematography by Joseph Ruttenberg, art direction by Cedric Gibbons, and costume design by Adrian.
MGM responded to the negative criticism of Two-Faced Woman by withdrawing the original cut of the film. Certain scenes were reshot and edited before the official release date. George Cukor refused to participate in the reshooting. Most notably, a new scene was added to the film in which Larry Blake determines almost immediately that Katherine is actually his estranged wife Karin, posing as her spurious twin sister and chooses to play along with her pretense rather than actually consider having an affair with his sister-in-law. The Legion of Decency amended its rating for the modified film from a "C", meaning condemned, to "B", meaning morally objectionable in part.
In addition to censorship-related changes, the studio also cut a number of Constance Bennett's scenes and changed the ending because some felt that Bennett had upstaged Garbo in many of their scenes together. Even with the cuts, Leonard Maltin wrote in 2014 that Bennett "steals the film with her hilarious performance."
The revised version of Two-Faced Woman was released in early January 1942. The original, uncensored version of the film still exists, and was shown in 2004 at a George Cukor retrospective at the BFI Southbank in London, but has not been issued commercially in either the United States or Europe or shown on Turner Classic Movies (owned by WarnerMedia which holds the rights to the pre-1986 MGM film library).
Even those reviews that praised Garbo's performance, still panned the film in general. Variety wrote: "That the experiment of converting Miss Garbo into a comedienne is not entirely successful is no fault of hers. Had the script writers and the director, George Cukor, entered into the same spirit of the thing with as much enthusiasm, lack of self-consciousness and abandon as the star, the result would have been a smash hit...Just how some of the lines of dialog escaped the scissors is as much of a mystery as how the screen writers...so completely flopped in providing a reasonably satisfactory finale." Harrison's Reports called Garbo's performance "brilliant...yet if it were not for her charms and fine acting ability there would be little to recommend, for the story is weak and somewhat silly." Film Daily declared Garbo "a delightful comedienne" but called it "unfortunate that the combined talents" of the scriptwriters "do not measure up to those of Miss Garbo's. George Cukor's direction is not as keen as it could be and tends to let the film ramble."
Due to the film's critical failure, many sources have said that the film also did poorly at the box office. According to MGM records, it earned $875,000 in the United States and Canada, and $925,000 in other markets, resulting in an initial loss of $62,000. Despite the previous success of Ninotchka, audiences had difficulty accepting Garbo as a comedienne. Attendance also was likely impacted by the Japanese attack on Pearl Harbor, which occurred three weeks before the film was re-released. A few sources have challenged the general perception that the picture was a financial failure, with at least one stating that it eventually made back five times its budget.
Later in 1942, Garbo and MGM mutually agreed to terminate her contract with the studio. Contrary to popular belief, Garbo did not retire from acting because of the poor reception to Two-Faced Woman; she fully intended to return to films following the end of World War II. Since she was no longer under a studio contract, she was able to be highly selective over any roles offered to her; for various reasons, several later film projects which interested her did not come to fruition, leaving Two-Faced Woman as her final film.
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